I don't want to say I'm a painter, but I use painting.
I use multi-disciplinary practices to draw attention to the inaccuracies between individual experiences and situations, concepts and materials. Producing and mimicking things is not just a consequence of thinking, but a physical process that allows room for something else to happen afterward. I am looking for the interval separating perception and site-specific contexts (e.g., situational, political, metaphorical) based on various field studies where misunderstanding and obscurity are unintentional albeit inevitable factors. In recent years, I have been fascinated by my status as a migrant in Europe, and I use this experience of displacement to reconstruct the relevancy of surrounding events, historical archives, and different bureaus.